YOUTUBE SUPERTRAMP SCHOOL ORIGINAL SERIES
(’To name but a few’.) “The 60s was a long series of musical revelations, boundaries expanded and crossed, risks taken.”Īs the 60s continued, Britain was increasingly exposed to Black music, and I tried to emulate the great blues players without really understanding the visceral musical experience that had informed their stylings. Robert Fripp, the Giles brothers, Greg Lake, Andy Summers, Gordon Haskell, Lee Kerslake, Zoot Money, Al Stewart, and of course John Wetton, all grew up in this area. I come from Bournemouth on England’s south coast.
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The first tune I played in ensemble with others was ‘FBI’ by The Shadows. The first tune I could play all the way through was ‘Ghost Riders In The Sky’ by the Ramrods. This was an excellent way to learn basic guitar skills, and it undoubtedly kicked off the careers of many, many musicians in my generation. Like other kids at school, I learned to play the instrumental hits by The Shadows, The Ventures, Duane Eddy, et al. Around 1960, when I was 13, I started picking out tunes on a ukelele, and my parents bought me a guitar. I enjoyed the classic pop and dance band music, learning the words if I could, sometimes imagining myself to be the artist – there was no way I could visualise Sinatra, or Bing Crosby, or Nat King Cole, but some of their songs seemed to suggest a world-weary wisdom that was intriguing. Richard Palmer-James: When I was a boy in the 50s, we didn’t have a record-player or any musical instruments at home, but the radio was on all day.
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What were your first musical involvements? Palmer lives in Munich since the early 1970s and is still very active.
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He’s best known for being one of the founder members of Supertramp and for writing lyrics for several songs by the progressive rock group King Crimson in the early 1970s. Richard Palmer-James Interview | Supertramp, King Crimson … Legendary musician Richard Palmer-James is credited on more than 500 recordings.